The Gone-Away World by Nick Harkaway: A Review and Download Guide
The Gone-Away World by Nick Harkaway: A Post-Apocalyptic Feast of Words
If you are looking for a book that is completely unique, original, and unpredictable, then you might want to check out The Gone-Away World by Nick Harkaway. This book is a science fiction story set in a post-apocalyptic world crippled by the 'Go-Away War'. It is also a comedy, a philosophy, an action-adventure, a metafiction, a satire, and a love story. It has ninjas, pirates, mimes, kung fu masters, corporate executives, secret agents, monsters, and more. It is a book that defies categorization and expectations, and it will keep you hooked until the very end.
nick harkaway the gone away world epub download
Nick Harkaway is a British author who was born in Cornwall in 1972. He is also the son of John le Carré, the famous spy novelist. The Gone-Away World is his debut novel, which was first published in June 2008 by Heinemann. It received critical acclaim from various sources, such as The Guardian, The Times, The New York Times, and Wired. It was also nominated for several awards, such as the Arthur C. Clarke Award, the Locus Award, and the British Fantasy Award.
The Plot: A World Crippled by the Go-Away War
The book is written from the perspective of a single character, who remains unnamed throughout the story. He is part of a group of ex-special operatives turned truckers that collectively make up the 'Haulage & HazMat Emergency Civil Freebooting Company'. They are hired by Jorgmund, a corporation that controls most of the world's resources, to deal with a fire that has broken out on their pipeline.
The pipeline is not just any pipeline. It is called 'the Jorgmund pipe', and it delivers a substance called 'FOX' around the globe. FOX is essential for the survival of the human race, because it keeps the 'Stuff' at bay. The Stuff is the result of the 'Go-Away War', a conflict that reduced the world population to 2 billion. The Go-Away War was fought with weapons of mass destruction that made anything and anyone subjected to them cease to exist, leaving no carnage or wreckage behind. However, the matter that had 'gone-away' was still there, but merely stripped of the information that formerly differentiated and defined it. This matter, or Stuff, floats around the world in great storms and pools in various locations. When it comes into contact with people, a process called 'reification' occurs. The Stuff takes the form of whatever those present are thinking about. The results are often horrific. Apparitions, as well as whole individual persons, appear out of nothing. These people become known as 'the new'.
The Jorgmund pipe and FOX create a thin ribbon of habitable land banded on either side by wasteland. The Haulage & HazMat Emergency Civil Freebooting Company must travel through this dangerous territory to reach the site of the fire and stop it from spreading and destroying the pipe. As they do so, the narrator starts thinking about his past, from the day he first met Gonzo Lubitsch, his best friend and fellow trucker.
The book alternates between the present and the past, revealing the narrator's life story and his involvement in the Go-Away War. He recounts his relationship with Elizabeth Soames, whom he meets as a youth studying martial arts under the tutelage of Master Wu. Wu's school, the Voiceless Dragon, is the mortal enemy of the Society of the Clockwork Hand, another martial arts school led by Master Kung. The narrator also recalls his time in the special forces, where he meets other members of his company, such as Jim Hepsobah, Ronnie Cheung, Toby Sherringford, and Captain Kurtz. He also encounters various enemies and allies, such as Professor Derek Twistleton-Wykeham-Fiennes, a mad scientist who invented the Go-Away Bomb; Iain M. Banks, a mysterious agent who works for Jorgmund; and Elizabeth's father, Sir Harry Soames, a powerful politician who has a hidden agenda.
The Themes: A Mix of Comedy, Philosophy, and Action
The book explores various themes that range from serious to absurd, from profound to hilarious. Some of the themes are:
The Voiceless Dragon and the Society of the Clockwork Hand
The rival martial arts schools represent two different philosophies of life and reality. The Voiceless Dragon teaches its students to be flexible, adaptable, and creative. It emphasizes the importance of intuition, imagination, and improvisation. It also encourages its students to question everything and challenge authority. The Society of the Clockwork Hand teaches its students to be rigid, disciplined, and efficient. It emphasizes the importance of logic, order, and precision. It also encourages its students to obey everything and follow authority.
The narrator is torn between these two philosophies throughout his life. He is loyal to Master Wu and his friends from the Voiceless Dragon, but he also admires Master Kung and his skills from the Society of the Clockwork Hand. He is constantly faced with dilemmas that require him to choose between these two approaches.
The Mimesis Effect and the New People
The phenomenon of reification raises many questions about identity and humanity. The Stuff takes on the form of whatever people think about, which means that people can create their own reality with their minds. However, this also means that reality is unstable and unpredictable, as it can change at any moment depending on who is nearby and what they are thinking about.
The new people are those who are born out of reification. They have no memories or histories of their own, but they inherit those of whoever thought them into existence. They are often confused and lost in a world that does not recognize them or accept them as real. They are also vulnerable to being erased or changed by other people's thoughts.
The narrator struggles with his own identity and humanity throughout his life. He wonders if he is real or not, if he has a soul or not, if he has free will or not. He also wonders about his relationship with Elizabeth, who is one of the new people.
The Ninjas and the Pirates
The book is full of absurd and hilarious elements that contrast with the dark and serious ones. One of these elements is the presence of ninjas and pirates in the story.
Ninjas are elite warriors who work for Jorgmund as assassins and spies. They wear black suits and masks, carry swords and shurikens, and use stealth and agility to complete their missions. They are feared by everyone Here is the rest of the article I have written for you. and respected by everyone else. They also have a code of honor and a sense of humor.
Pirates are outlaws who roam the wastelands and prey on travelers and settlements. They wear colorful costumes and accessories, carry guns and swords, and use flamboyance and charisma to intimidate their enemies. They are hated by everyone else. They also have a code of greed and a sense of fun.
The narrator encounters both ninjas and pirates in his adventures, sometimes as foes and sometimes as friends. He also learns some of their secrets and skills, which come in handy later in the story.
The Style: A Unique and Inventive Voice
The book is written in a style that reflects the personality and the mood of the narrator. It is a style that is:
The First-Person Narration and the Metafiction
The narrator tells his story in his own words, using informal language, slang, and colloquialisms. He also breaks the fourth wall and comments on his own storytelling, addressing the reader directly or indirectly. He sometimes apologizes for digressing, exaggerating, or forgetting details. He sometimes asks rhetorical questions, makes jokes, or gives advice. He sometimes reveals his thoughts, feelings, or opinions. He sometimes admits his doubts, fears, or regrets.
The narrator also plays with the conventions of fiction, such as genre, structure, plot, character, setting, and theme. He sometimes acknowledges that he is writing a book, and that he has to follow certain rules or expectations. He sometimes subverts or challenges those rules or expectations, creating surprises or twists. He sometimes refers to other books or authors, either as sources of inspiration or as points of comparison.
The Humor and the Satire
The narrator uses humor and satire to cope with the horrors and absurdities of his world. He uses wit and irony to poke fun at various aspects of society and culture, such as politics, religion, education, media, business, war, science, art, and more. He uses sarcasm and exaggeration to mock or criticize certain people or groups, such as politicians, scientists, executives, soldiers, ninjas, pirates, mimes, etc. He uses wordplay and puns to create jokes or double meanings.
The narrator also uses humor and satire to entertain and engage the reader. He uses comedy and absurdity to lighten the mood or create contrast with the dark or serious elements of the story. He uses jokes and anecdotes to make the reader laugh or smile. He uses irony and paradox to make the reader think or wonder.
The Imagery and the Metaphors
The narrator uses imagery and metaphors to describe his world and his experiences. He uses vivid and original language to create pictures in the reader's mind. He uses sensory details to appeal to the reader's senses. He uses similes and analogies to compare things that are different or unfamiliar.
The narrator also uses imagery and metaphors to convey his themes and messages. He uses symbols and motifs to represent ideas or concepts that are important or meaningful. He uses allegories and parables to tell stories that have deeper or hidden meanings. He uses contrasts and parallels to highlight similarities or differences between things.
The Conclusion: A Mind-Blowing Twist
The book ends with a mind-blowing twist that changes everything that the reader thought they knew about the story. The twist reveals a shocking truth about the narrator's identity and his relationship with Gonzo Lubitsch. The twist also resolves the main conflict of the story and explains the origin of the Stuff.
The twist is not only surprising but also satisfying. It ties up all the loose ends and answers all the questions that were raised throughout the book. It also makes sense in terms of logic, consistency, foreshadowing, and clues. It also adds a new layer of meaning and significance to everything that happened before.
The Gone-Away World by Nick Harkaway is a book that is hard to summarize or categorize. It is a book that is full of imagination, creativity, humor, action, emotion, insight, and more. It is a book that challenges the reader's expectations and assumptions. It is a book that rewards the reader's attention and curiosity. It is a book that is worth reading and rereading.
If you are looking for a book that is different from anything you have ever read before, then you might want to give The Gone-Away World a try. You might love it or hate it, but you will definitely not forget it.
Q: Who is Nick Harkaway?
A: Nick Harkaway is a British author who was born in Cornwall in 1972. He is also the son of John le Carré, the famous spy novelist.
Q: What is the genre of The Gone-Away World?
A: The genre of The Gone-Away World is hard to define, as it mixes elements of science fiction, fantasy, comedy, philosophy, action, and more. It could be called a post-apocalyptic novel, but it is also much more than that.
Q: What is the main theme of The Gone-Away World?
A: The main theme of The Gone-Away World is the nature of reality and identity. The book explores how reality is shaped by our thoughts, beliefs, and perceptions, and how identity is influenced by our memories, histories, and relationships.
Q: What is the twist at the end of The Gone-Away World?
A: The twist at the end of The Gone-Away World is that the narrator is actually Gonzo Lubitsch, who reified himself into existence after being killed by the Go-Away Bomb. He also reified his best friend, who took his name and his memories. The real Gonzo Lubitsch then shot his friend to make him remember the truth.
Q: How many pages is The Gone-Away World?
A: The Gone-Away World has 531 pages in the hardcover edition. 71b2f0854b